- danceplay, dance-play-
If you haven't seen the show, imagine a stage and listen to the tracks (click on the icons when reading the text) and take a look at Béla Kanyó photographer's pictures shot at the premiére, however you had better view the live performance for the experience can't be replaced.
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The essence of chess is the fight between dark and light/ black and white. According to the laws of chess the opposition is unrelenting-irreconcilable. The chessmen – even if they riot against the law, even if they searched at their ambition for reconciliation – have to fail mercilessly. As this law is forced on them by a higher power, by the two players, who consider the figures possessing emotions, really only as „dolls” to shuffle, as instruments in the hand of might.
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Plot summary First Act
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Only the two enemy pawns stand on stage. During their struggle the White Pawn gains superiority. He comes to the moment when he could do away with his opponent but suddenly he grants pardon to him. The scene closes with their handshake.
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Jolly buzz on stage with the participation of the light roleplayers who dance cheerfully, occupy the whole scene integrating the peaceful pawn among themselves. The King and Queen arrive later, join the whirl, then the King motions the pieces and pawns to leave.
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No sooner start the Light King and Queen dancing then the dark royal couple appear on the other side of the stage. The couples dance the same, yet independent from each other but we can realise by turns gestures between the Dark King and the Light Queen. As though they were thinking of each other… At the end of the dance they stand opposite each other, nevertheless as if thousands of kilometres separated them. At this moment the two, yet in themselves dancing parties come to consciousness and give their pair a look at the same time. |
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The Light King reacts to the situation more quickly, catches his sweetheart’s hand and gently but explicitly strains her to himself and begins to dance with her again, as if he wanted to win her over kindly and stupidly. Finally the Queen frees herself from the arms of her adorer and withdraws with mechanical smiles. The King, offended in his manly pride, falls in to pieces for a moment, then he recomposes himself and leaves the scene.
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Dance of the dark royal couple. This is a special „love-dance”, during which the woman wants to win the man’s heart. Now and then she forces the King to dance violently but he would like to escape. Thereafter he submits to the woman’s will, then resists again. Finally, in an unguarded moment he leaves her on stage.
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The twice humiliated Queen panting for revenge takes up a more and more self-exciting furious dance. She calls her men into the scene then goes from one to the other, dances with everybody in order to inflame them, to transmit her anger.
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But one of her people – the Dark Knight –doesn’t accept the „call to dance”, makes a deep bow then beckons: the disconcerted Dark Queen should listen – cunning intrigue instead of violence! The Knight shows how they could trap the Light Queen.
They simulate the trapping accurately, step by step. The trick is: the Dark Knight attracts her victim with the same rose in hand which the opposed rulers used at the moment of their finding each other while the other officers let them go on a diagonal corridor…
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Suddenly the combative light army marches in – without the royal couple. The Dark Queen is rescued by her men, instead of her the dark bevy troops in.
It comes to a struggle. The Dark Queen is rescued by her men and instead of her the dark troops march in. A struggle ensues. During the battle the Light Pawn, who saved the life of the peaceful Dark Pawn earlier, is almost knocked down. This time the Dark Pawn comes to his aid. The peaceful pawns, back to back, find themselves standing opposite the antagonistic party. An officer each on both side wants to execute the pawn of opposite colour but the murderous movement stops in the air.
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At this time the two blokes emerge from the sink (by uplifting the trap door). Player 2 asks for break. Player 1 shrugs his shoulders then stands up and quits. The other waits only for that moment, he changes two chess-pieces with well visible motions on the board. Cockeyed grin on his face, after that he takes himself off leisurely, munching a sandwich, very pleased with himself…
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Story of the second act
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The chilled warscene returns but the peaceful pawns, still with their backs to each other, stand opposite their own troops. The officers are just about to stab them when they suddenly realise that those are their own fellow fighters.
A special dance evolves. The Dark Pawn begins to dance a series of movement alone and repeats it continually. The Light Pawn joins him. The other adversaries join the slow series of movement as well, which symbolizes peace on the language of dance.
It comes to a responding dance between the opposing parties as if they were dancing with each other. The opposing troops find themselves almost in an entire agreement when the Dark King and the Light Queen appear.
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The appeased troops give way towards each other happily and leave the lovers alone appreciatively. Enchanting love-dance unfolds slowly.
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…but at this moment the Light King marches in with his officers to have the Dark King arrested. The scared Light Queen is rescued from the scene by the Light Bishop then the royal duel commences. This is the fight of equal parties, neither of them can prevail over the other decisively. The parties get more and more tired and finally they suspend the fight – without conclusion of peace – and withdraw. Watch the scene on  ! |
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The Dark Knight sneaks onto the stage, spies around to be sure, he wasn’t noticed by anybody and retreats to the background. The worried Light Queen arrives on the battle-field frightened. Soon she calms down, it seems there is nothing the matter. |
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Then the Dark Knight steps forward with smarmy submission. He makes a deep bow winningly to the still slightly troubled Light Queen and takes out the red rose – as a symbol of the Dark King. She offers her the rose but doesn’t give it to her, entices her towards the dark side. Meanwhile, dark officers appear one after the other, they ensure stepping out a diagonal range to the trapped Light Queen. |
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The Light Queen picks up the Dark Queen’s mantle from the floor. Her true rescuer, the Light Bishop calls her to return to their own side but the Light Queen wouldn’t go. The music of the love-dance with the Dark King starts again. She strains the dark mantle to herself with love, as if she hugged her lover, after that she puts it on. She changes her colour for her lover, turns into dark, so that they could belong to each other. She sets out to her pair fluttered.
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The victorious Dark King steps up to the stabbed Light King, strips off his light mantle and while we can hear the love-music, he strains it to himself then puts it on with such passion, like his lover did it earlier when she changed her colour for him with the dark symbolic mantle. |
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At this moment arrives the loving, flitting Light Queen, while her lover, who has just changed to light from dark for her, got to the opposite side again. They run to each other’s arms happily, but before they arrive at each other, they realise that they are still, or again of inverse colour. They tear off each other’s mantle but it is in vain. They are on the opposed side again.
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That is to say: all is in vain – the contrasts are insolvable… the two troops pitch into the battle again. They almost obliterate the King and Queen who just get over their stupefaction. …hell breaks loose. Emotions and angers get out of hand and finally everybody goes down. Rack and ruin… |
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As a sharp contrast to the apocalyptic scene, the two Chessplayers stand up smiling and shake hands. Then they change place slowly, ceremonially with their particular ludicrous movements, shake hands again and sit down to board.
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Silence, then Player 2 catches a chess-piece, raises it and the next game/ war begins… but THERE IS A RESTART.
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Cast:
Light Queen |
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Mária Krizsa |
Light King |
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Martin Hauser / Mihály Mészáros |
Dark Queen |
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Dóra Horváth |
Dark King |
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Zoltán Horváth |
Light Rook 1. |
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Attila Katus |
Light Rook 2. |
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Sándor Ferenczi |
Light Peace-Pawn |
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Marcell Csömör |
Dark Peace-Pawn |
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Gábor Horváth |
Light Knight |
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Izabella Práth |
Dark Knight |
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Hajnalka Pap |
Light Bishop |
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Tibor Reck |
Dark Bishop 1. |
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Andrea Molnár |
Dark Bishop 2. |
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Rita Major |
Light Rook 2. |
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Kitty Kovács |
Dark Rook 1. |
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Mihály Mészáros / Árpád Tóth |
Light Pawn 1. |
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Linda Jusztin |
Light Pawn 2. |
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Rita Sági |
Light Pawn 3. |
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Krisztina Vásárhelyi |
Light Pawn 4. |
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Attila Felföldi |
Dark Pawn 1. |
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Nikolett Jankovics |
Dark Pawn 2. |
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Barbara Magisztrák |
Dark Pawn 3. |
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Balázs Pátkai |
Dark Pawn 4. |
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Árpád Tóth / András Szabó |
Chessplayer 1. |
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Gergely Zsolnay / Ákos Somfai |
Chessplayer 2. |
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Tamás Kálna |
Dramatic advisors |
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Ákos Somfai and Gábor Mészöly |
Costume designer |
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Nóra Rományi |
Stage-designer |
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Attila Makk |
Music selection |
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Tibor Dalotti |
Sound editor |
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Gábor Horváth |
Light- and scenery designer |
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Tibor Dalotti |
Assistant choreographers |
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Zoltán Horváth , Mária Krizsa |
Assistant director |
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Ákos Somfai |
Choreographer -director |
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Tibor Dalotti |
Premiére: Thália Theatre, 10th January 2009
Béla Kanyó photographer's pictures shot at the premiére
Article by Emoke Kolos, for the community and cultural weekly SZENTENDRE ES KORNYEKE, issue 18 vol 23, 15 May 2009
Sponsored by EPSON.